Certainly, the balance of rational from Nash compared to Carver's clinically cold and despicable attitude is nicely struck early on, and both Garfield and Shannon's performances remain the real reasons to stay so engaged with 99 Homes throughout. The line between black and white blurs easily in this morality tale, given human form and faces which can't be blocked from memory.Īs this suspenseful thriller plays out and Nash dances ever closer to the devil, the intensity of the film ramps up, even if the credibility of some of the situations edge dangerously close to convenience rather than natural drama. But in typical anti-hero stance, Carver doesn't care about the human cost of his business and Bahrani isn't really interested in fleshing out his character other than a few piecemeal scenes that give chilling insight and horrifying human touches to this monster of a man.Įqually, Garfield's Nash is played well the conflict he feels is clearly marked early on, but the gnawing sickness of reality and desperation provides plenty of dramatic fuel as well as plenty of debate over what you would do.
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Shannon's nothing short of electric and horrifying as Carver, a man whom we first meet at the scene of a suicide of an owner whose home has been taken by Carver's realty business. Humiliated and homeless, Nash is forced to work for Carver in a (contrived) series of events, but soon finds his desire to ensure his family has somewhere to live is over-stepping his basic humanity as his Faustian deal with Carver descends to new depths.ĩ9 Homes is a powerful searing drama it gives a human and inhuman face to the property crisis that beset America and that teeters on the edge worldwide currently. Believing he has 30 days to fight the repossession, Nash's shocked to find the police on his doorstep the next day, demanding he, his mum (a solid Laura Dern) and his son leave immediately.Īlso on the scene of the repossession is the lizard-like Rick Carver (an excellent Michael Shannon), a former real estate agent who is now head of his own realty company and who specialises in taking homes and turning profits - whatever the cost and with no regard for the emotional fall-out.
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In an entirely relevant parallel given how over-heated the world's property markets are, Garfield is Dennis Nash, a father whose Orlando family home is foreclosed by the bank in 2008. The story fractures into Cassie's search and meeting of a charisma-free dishy designer stubble potential love interest and her brother's involvement in the weaponising-our-kids-storyline - and the result is one of tedium more than anything. (Young love, life after high school seeming like the end of the world, a mistrust of authority etc etc)Īfter the action slows, The 5th Wave becomes an unconvincing sludge of a film that's barely able to build on the mistrust and premise. It's just a shame that the film gives nothing back.ĭespite a stunning first 30 minutes that see the alien menace cleverly and craftily energise the story, it stalls and hits a sickening thud when it realises it needs to weave in the tropes of the genre. With a desperate race to save her young brother from the army's clutches and from their weaponising him, Grace Moretz gives everything to the film and sells every ludicrously predictable turn it takes.
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After surviving electrical attacks, natural disasters, fatal disease a la Avian Flu and then body snatcher style invasion a la The Invaders which wipe out her family bar her brother, she finds herself on the run. Kickass's Chloe Grace Moretz stars as Cassie, a high schooler whose life changes when aliens invade via a succession of attacks.